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Chariots of Fire Review – A Thrilling Production That Goes the Distance | Theatre


The cast of Chariots of Fire is preparing for the upcoming show with an energetic warmup session that includes stretches, press-ups, and jogging on old-fashioned treadmills, a vaulting horse, and a hardwood gymnasium floor. Directed by Robert Hastie, this production is a revisiting of Mike Bartlett’s adaptation of the 1981 cinematic masterpiece. The set design by Ben Stones and costumes are attractively vintage-inspired.

The central question of the show is “why run?” as explored through the characters of Harold Abrahams and Eric Liddell. Harold faces antisemitism while striving to be fast and win, played by Adam Bregman. Eric, played by Michael Wallace, views running as a theological question tied to his faith. Movement director Ben Wright has created inventive ways to portray running within the confines of the theatre.

The production features a talented cast, including Richard Cant in three roles, Lois Pearson as Eric’s sister, Leo Wan as the Prince of Wales, Bessy Ewa as Harold’s girlfriend, and Tom Glenister as Harold’s college friend Aubrey Montague. The show includes slow-motion races that blend running with dance, adding a unique artistic element.

Although the pacing could be tightened between races, Chariots of Fire provides a hugely enjoyable experience for audiences. The performances, set design, and costumes all come together to deliver a compelling exploration of the reasons why people run. Directed by Robert Hastie, this show marks his last at the Crucible before moving to the National Theatre as deputy artistic director under Indhu Rubasingham.

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Photo credit www.theguardian.com

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